Around the middle of his senior year (2025), Dunsworth began working more extensively with clothing, using the opportunity presented by Ringling College’s Cross-Major Genesis fashion show to push into a new medium. Staying true to found objects, he limited his materials to his existing wardrobe, disassembling most of his clothes and reassembling them into entirely new articles. The process was intuitive rather than preplanned, driven more by experimentation and reorganization than by a fixed vision. Through repeated recombination, the work evolved organically until it arrived at a form that felt resolved.
